| via: intomybones source: itscolossal | 3 days ago with 4,161 notes |
| via: intomybones source: itscolossal | 3 days ago with 4,161 notes |
Liquid Sculptures by Pierre Carreau.
| via: j0jen-reed source: itscolossal | 1 week ago with 3,699 notes |
Tracey Emin, I Keep Believing in You
Neon sign at Museo MACRO, Rome
| via: clairemariel source: byshosh | 2 weeks ago with 23 notes |
| via: darkblue source: romaarte | 2 weeks ago with 31,577 notes |
| via: thomassaliot | 3 weeks ago with 3,584 notes |
| via: loveyourchaos source: technicolormyworld | 4 weeks ago with 28,412 notes |
| via: freecocaine source: Flickr / anikamari | 1 month ago with 320 notes |
Their song is almost painful the way it
penetrates the air—above the haze and
level of the fields a thin line drawn. A
wire. Where the birdcall goes to ground. But I’d
stand anyway under the oaks lining
the road and whistle, tireless with chances,
tossing, by the handful, the crushed stone.
All of them answered, none of them came down.
By evening there’d be hundreds filling the
trees past hearing, black along the branches.
They’d go off with the guns like buckshot, black,
filling the sky, falling. I held my ears.
The holes in the air closed quickly, then healed.
Birds were bloodless, like smoke, wind in a fleld——Stanley Plumly, “Against Starlings”
Art Credit Arnulf Rainer, “Bird Scratches”
| via: bbook source: theparisreview | 1 month ago with 309 notes |
| via: amenalcohol source: r-uivor | 1 month ago with 1,104 notes |